Showing posts with label Brian L. Porter. Show all posts
Showing posts with label Brian L. Porter. Show all posts

Friday, August 1, 2014

Behind Closed Doors' Inspector Albert Norris! Book Promo 99 cents!

While Behind Closed Doors by Brian L. Porter is being offered for 99 cents, I managed to get an interview with its main character! 

It is my pleasure to interview Inspector Albert Norris today!



About the Inspector:

Aged in his late thirties, Albert Norris has been an inspector with the Metropolitan Police for over fifteen years, having worked his way up to his current rank from humble beginnings as a constable. Formerly assigned to Scotland Yard he now works from the New Street police station, featured in the book, Behind Closed Doors.

He has been married to his childhood sweetheart, Betty for many years and they live with their two terriers in a small house in a quiet street not far from the Whitechapel area of London. He is ably assisted in his cases by his sergeant and friend, Dylan Hillman who has worked with Norris for a number of years, the two of them forming a formidable investigative team.




The photos included with this article come courtesy of Inspector Norris and show the inspector himself, his wife Betty as a teenage girl on holiday in a small Cotswold village and finally, the Norris family showing his parents together with Norris and his sister Beatrice.

Inspector Albert Norris is the leading character in the novel Behind Closed Doors by Brian L Porter. Thanks to the amazing miracle of time travel, the following interview was conducted by author Carole Gill, with the man himself.

Tell me Inspector, do you have a middle name?

Yes, I do. Not that it’s used often and very few of my friends or colleagues are aware of it, but my parents were extremely patriotic, you see and my father, having served in the Royal Navy for some years, decided, against my mother’s best advice, I’ve since been told, to give me the middle name of Horatio, the great Admiral having been one of his own personal heroes. So my full name is in fact Albert Horatio Norris. I think the last time my middle name was spoken aloud was by the minister who conducted my marriage to Betty.
I know your wife is called Betty, tell me a bit about her. I’d like to know where you met!

Ah, my dear Betty. Well, her full name, before we were wed, was Elizabeth Doris Rollins. Her father, Giles Rollins was, well, still is, a proponent of the modern art of taking photographic images. Rather good at it he is, too. Her mother is Daisy, and her parents have been wed for more years than I can tell, and happily too for all I can see.

These photographic images have become something of a boon to us in the police force, I’ll add, as they have enabled us to record many details of the scenes of crimes and indeed, of the victims too, something we could not have done some years ago. As you can imagine, this has helped us in many aspects of investigations into murders, robberies and so on. We are also able to record the faces of those who are arrested and charged for such crimes, providing us with a permanent record of such villains and enabling us to aid in witness identification, especially where criminals commit repeat offences.

But, I’m sorry; you were asking me of Betty. We first met some years ago, when we were no more than in our teen years. My father having been invalided out of the navy at quite a young age, would take the whole family, once a year, to a small village in the Cotswolds where for a whole week he would take the waters at a nearby spa, and my sister Beatrice and I, together with our mother, would enjoy walks in the countryside and exploring the peaceful little village, with its quaint and unusual array of shops and tea rooms, which were something of a magnet for others who would stay in the area, mostly, I presumed to make use of the spa, like my father.

One day, while Beatrice, (known to us as Bea), and my mother were visiting the small museum in the middle of the village, I took a walk to the banks of the small river that runs through the village, bisecting it so that the northern side is kept separate from the southern with a series of small bridges in place to facilitate passage from one side to another, with two larger ones at either end of the village suitable for vehicular traffic.

As I sat upon the riverbank, trying to see if any fish were swimming by, a young woman, no more than my own age, walked boldly up to my side and asked what I might be doing. She was, simply, the most beautiful creature I had set eyes on up to that stage in my life. We talked and talked until Mother and Bea eventually came seeking me out, and I introduced them to my new friend, Elizabeth. Chance would have it that Elizabeth and her family lived quite close to my own family in London, and in due course, following a week of idyllic walks and talks together, Elizabeth and I developed a lasting friendship which slowly turned to love and two years later, though I was only a lowly uniformed police constable, we were married one sunny afternoon in July and to this day, my Betty remains my staunchest friend and support, and I am not ashamed to say, the one and only love of my life.


You took in a stray dog which I think is marvelous. You already had Billy and now you have Lillie. Do they get along?

Like Betty and I, the two dogs are the best of friends and quite inseparable, running and playing together and curling up together at night, at the bottom of the stairs, always alert and on guard. Billy has been with us for about seven years now and Lillie, (who we named after the wonderful Lillie Langtry), for a somewhat shorter time, but they are both fiercely loyal to me and to Betty and would not hesitate to leap to the defence of either of us if they felt we were at any time under threat from some malcontent or thief or whatever.
What is your superior, Chief Inspector Joshua Madden like to work for?

Haha, Carole, this is where, needs must, a little diplomacy is perhaps called for. Chief Inspector Madden is for the most part, a very good man to work for. He is a highly competent police officer who worked his way up to his current rank from the lowly rank of constable, so he is well aware of the life of those who serve beneath him.

Having said that, like all senior officers he can often come across as a little overbearing at times and does not take kindly to being contradicted, even though at times, as he will eventually admit, he is not infallible and can, like the best of us, make mistakes from time to time, (sorry boss!). Having said that he is fiercely loyal to those who work for him and when I first came under his leadership after leaving Scotland Yard, I soon found him to be a fair minded and solid superior officer. He values my experience, and my investigative qualities, as he has told me on various occasions, (usually after a dressing-down for some slight insubordination or obstinacy on my part), and though I was perhaps not easy to work with when I first left the Yard, he slowly gained my respect and confidence and stood by me on many occasions where other bosses might have lost patience with me. So, all in all, I have to say that my boss is a good one and certainly better than most within the force.

Your sergeant and assistant, Dylan Hillman is also your friend. That must be so helpful in your working environment. Have you been friends for long?

Ah, good old Dylan, my old chum, as I constantly refer to him. When I was first assigned to New Street Police Station after leaving Scotland Yard, Dylan was a young constable, and I knew little of him. Two years later, on his promotion to sergeant he was assigned to work with me when my previous sergeant, Willis Hall, retired. Hillman was young, fresh and idealistic and had an outlook on the world that looked for the good in everyone, not a bad philosophy, but somewhat unhelpful for a police officer when dealing with some of the scum of the earth (sorry about the language), that inhabit London’s underworld. Together, we slowly gained confidence in each other, and Dylan soon learned to see the darker side of life through some of the cases we were assigned to, in particular some of the vicious murders we were called upon to investigate. Over time, he came to temper his optimism, not with quite the degree of pessimism that I might apply to the job, but he began to mix his faith in people with a degree of realism that in fact allowed him to become a better investigator than he ever imagined he could be, because Dylan Hillman has that special ‘human’ touch that encourages people to be frank and open with him, and has led to the downfall of many a criminal who has been caught out by Dylan’s persuasive interrogation techniques.

As our working relationship brought us closer together, Betty insisted on my young sergeant joining us to share our evening meal from time to time, and our ability to often second-guess each other helped cement a friendship that transcends our differing ranks, although he never loses sight of the fact that I’m his superior officer and always remains at arm’s length from our friendship while we’re working together.

Dylan, my old chum is a pearl among men, Carole and no inspector could ask for a more loyal and true sergeant by his side when the going gets tough.

I hope you don’t mind me asking such a personal question, Inspector Norris, but do you have any children? Any plans to have any?

Though it was our dearest wish, in those early days of our marriage to have a child of our own, it transpired that Betty was medically unable to bear children so we have instead concentrated our love on one another, and of course, on the four legged friends who have become an important part of our lives.

You left Scotland Yard ten years ago—may I ask you to please explain the circumstances? Also, I know your dog, Lillie remarkably helped lead you to arresting a murderer. The young officer mentioned in the Behind Closed Doors case—also referred to as the railway murders. Can you tell me about that?

Well, not a lot of people are aware of the reasons for my leaving the Yard. You see, for many years, I carried around a sense of guilt that I’d been responsible for the death of a young constable under my command, when we had cornered a suspect in the theft of a wallet from a prominent member of parliament. I’d instructed Constable Vane to handcuff the man who had intimated that he’d surrendered, and as Vane approached him, the man pulled a gun from under his coat and shot the constable. Another shot followed, hitting me in the shoulder and the man escaped, and was never caught. Poor Vane bled to death where he lay and I knew I should have made the man lie down, hands behind his back, before telling Vane to cuff him. Although I was cleared of any blame in the subsequent inquiry into Vane’s death, I personally felt a weight on my mind that stayed with me for years.

My work suffered to such an extent that I was transferred from the Yard to New Street, where I’ve stayed since that day. At first I must have been hard to deal with, perhaps with a chip on my shoulder, but Chief Inspector Madden accepted me as a member of his team and showed great patience in dealing with my moods and at times truculent behaviour. Things only began to improve for me, in my mind, when Sergeant Hillman joined the team, though even then, I told him nothing of the past, and the rest of the station knew only that I’d left Scotland Yard ‘under a cloud’ without being privy to the details.

When we were investigating the underground railway murders, chronicled very accurately in the book, Behind Closed Doors, Betty and I had found a stray dog and taken her in to our home. Though we’d have loved to keep the little nipper, we did the right things and placed an advertisement in the local newspaper, seeking the dog’s true owner, who we thought might be missing her, though by the state of little Lillie, as called her, her previous owner hadn’t been too kind to her, if you catch my meaning. Well, imagine my surprise, when, one evening there was a knock on our front door. The man who stood there, claiming the dog to be his looked familiar and when he opened his mouth to speak, I realized that standing before me was the man who had killed Constable Vane and shot me in the shoulder ten years previously. As realization dawned on the little jackal’s face, he ran for it and I gave chase, eventually bringing him down and arresting the man who was later tried, convicted and hanged for the murder of young Vane. Betty was pleased for me and everyone at the station congratulated me on solving a ten year old murder case, but all I felt was a strange sense of relief, as though I could let the guilt over Vane’s death go at last, now that his killer had been brought to justice. So you see, if we hadn’t taken in little Lillie, a killer would still be on the loose and I’d still be carrying around a burden of guilt that Betty always says was misplaced but that needed the case to be solved before I could let it go in my own mind.
What memorable cases have you worked on? What was the most important case you worked on; the one that stands out?

To my mind, Carole, every case is important as they usually involve either the loss of someone’s life or the theft of something precious from its owner, but if you were to ask which is the most unusual case I’ve investigated, the one that really stands out, well, just listen to this.
Some years ago, while I was a young inspector at Scotland Yard, I was assigned the case of a young woman who had died in mysterious circumstances in her own home. Her husband, a young clerk working for a bank in the city allegedly arrived home from work one day to find his wife, Mary Deacon, slumped in a chair, breathing expired. I arrived at the house soon after the alarm had been raised, and together with my sergeant at that time, Nathan Vigo, began the investigation into Mary’s demise. The husband, Joseph Deacon, assured us that the house was locked upon his return from work, and that there had been no sign of a break in through any of the windows. Their two year old baby girl, Emily, was sound asleep in her cot in their first floor bedroom, none the worse for the tragedy that had taken place downstairs. Vigo and I conducted a vigorous and complete investigation and yet, after a period of three days, we could find no suspect who may have wished to harm Mary, no one who she had even had a minor disagreement with, and, more strangely, the doctor who conducted the postmortem on her body deduced that Mary Deacon had died from Arsenical poisoning. At this point, the husband was arrested, as Arsenical poisoning would have taken place over a period of time, and yet, we found no trace of arsenic in the house or small garden shed, and a tour of local pharmacies and apothecaries resulted in not one of them being able to state that Joseph Deacon had at any time purchased arsenic from them.

The case was further compounded three weeks later, as Joseph languished in prison, still protesting his innocence. Prior to his arrest he had hired a nurse to take care of Emily while he was at work and his wife’s younger sister, Charlotte had taken to spending the nights in the spare room to help care for the child. So, when both Emily and the nurse were discovered dead by Charlotte three weeks after Mary’s death, we had a real conundrum on our hands. They both died from Arsenical poisoning! It may have been possible for Joseph Deacon to slowly poison his wife and perhaps his own baby daughter too, but he had certainly not had time to commit any such act against the nurse, Caroline Bailey.

His own father, and indeed his father-in-law had always protested that Joseph would never harm his wife and certainly not his child, and now we were forced to believe that he may in fact be innocent of the crimes. Deacon was released for lack of evidence and returned to his home, where he tried to return his life to some sort of order. Imagine our thoughts when he came running into the police station some days later to say his sister-in-law, Charlotte had been taken into the Royal Hospital, suffering from severe gastric pains and delirium. These were symptoms of arsenical poisoning! Vigo and I returned to the house with Deacon, where the man wracked his brains as he fought to think of any way in which arsenic could have been introduced into the home without his knowledge. A further search by Vigo and myself found nothing, and sadly, Charlotte passed away two days later in the hospital. The case looked fated to remain unsolved and Joseph Deacon was almost forgotten, when months later, we heard his body had been found in the living room of his home, a neighbour attracted by the smell emanating through the walls. When the neighbour was interviewed, he happened to mention that it was sad that such a tragedy had befallen the young family next door, especially as they had worked so hard to make a good life together and in fact had spent a good deal of their money in redecorating their small home to make it as comfortable as possible. The neighbour then told us that it was also strange that his own wife was upstairs, quite poorly too, as though the houses in the street were carrying some kind of curse. I asked if his wife had seen a doctor, and no she had not. I arranged for her to be seen by a police surgeon as I had a suspicious mind and things just did not seem right in these homes.

Our local police surgeon, Doctor Holmes, arrived soon afterwards and had no difficulty in diagnosing Mrs Miller as being a sufferer from arsenical poisoning! It was indeed Doctor Holmes who now gave me the clue that would lead to the solution of this strangely mysterious case. He asked me to inquire of the householder when he last had his home decorated. When Mr. Miller replied that his living room had been wallpapered some three months earlier, at the same time as the living room of the Deacons. Dr Holmes took me to one side and told me to have Miller remove himself from his home as soon as possible.

Apparently, the medical profession has held suspicions for some time that the new-fangled wallpapers we’ve been using to decorate our homes might be responsible for a number of cases of people falling ill, and certain of these wallpapers contained arsenic, used in the colouration of the paper. When we took scrapings of the wallpaper in the two houses, and had them looked at by our police surgeon he did indeed discover large quantities of arsenic in the wallpapers and it appeared that in hot weather especially, the wallpaper gave off a vapour containing arsenic, thus poisoning those who spent time in its close proximity. The manufacturers of these wallpapers had denied that their goods might be harming people, but, the case I’ve just laid out before you proved to be the one that made the authorities sit up and take notice and pressure has since been brought to bear on the wallpaper makers to eliminate arsenic from their products completely. Most have voluntarily agreed though some are proving hard to convince and I feel sure the government will soon bring pressure to bear on those companies to ensure no-one else is effectively poisoned by their own home. So, Carole, there you have it, mysterious deaths, a locked house, no motive to be found and in the end, the case that I still think of as, ‘The murders that never were.’
What is your very favorite food?

Without a doubt, nothing can beat my Betty’s home-made meat and potato pie. When the weather is hot I like nothing better than a nice lump of cheese with some of Betty’s home-made bread, very tasty!
Do you like a pint now and then after a hard day?

Sometimes, yes, especially after we close a case, or sometimes, in the case of a difficult one to solve, like the underground railway murders of the house that killed its owners, you can find me and Dylan Hillman sitting together, mulling over the case or just life in general, at The Spotted Hound, or sometimes at the Ferret Arms.


Do you smoke?

Yes I do. I love nothing more than relaxing in the evening with a pipe of the best shag tobacco.
What are your theories about Jack the Ripper? Was there ever anyone that you thought most likely of being guilty? And why do you think the murders stopped?

My own theories on the identity of Jack the Ripper were fairly well chronicled in the narrative chronicled in the story of the underground murders, written as Behind Closed Doors. I still believe that the perpetrator of those heinous crimes may have been the Ripper and of course, the killings did indeed stop after his death which lends some weight to my theory, I believe. There are other theories of course, and my friend and colleague, Frederick Abberline holds a totally different theory as to the Ripper’s true identity. So many officers of all ranks in the Metropolitan Police Force hold to their own ideas about the case and perhaps, in time, we will get a break in the case and Jack the Ripper will be brought to justice. Whoever he is, or was, there has to be reason why the killings ended with Mary Kelly, but until we apprehend the villain, we have to accept that the case throws up more questions than we have answers for. I’m sorry I can’t be more informative than that on the case, which of course is still an open investigation as far as the Metropolitan Police Force is concerned.

What is your favourite pub?

The Spotted Hound, Carole. The landlord, Sykes, an ex-policeman himself, has known me for years and there’s always a cheery welcome when I walk in the place. And, they keep my favourite beer on tap there.

I imagine your wife has been so supportive of you. Does she have hobbies that help her not to miss you when you are busy on a case? Does she have family close by?

She loves to bake and to cook of course, and her family only live about a mile and a half from us, so she will often walk our two dogs over to their house to visit with them. She is very supportive of me in my work and I know I can tell her things about some of my less sensitive cases that she will keep to her own counsel and often she has provided me with alternative ways of looking at things, with successful results, I might add.


Can you remember the first meal Betty cooked for you? In confidence, what was it like?

It was her meat and potato pie of course, and, I say, it was as good back then as it is today.

Where do you two like to get away to? Perhaps the same place you went to on your honeymoon?

Ah well, you see, a policeman’s wages, even those of an inspector, don’t really run much to holidays and such-like. If I do have time off work we usually enjoy walks in the park together with the dogs, or sometimes, we’ll get dressed up and catch an omnibus into the city and visit one or two of the great London museums, full of interest they are. I especially love the British Museum, with its vast galleries and rooms full of objects from around the world.

Tell me Inspector, what sorts of books do you read? I should imagine you like a good mystery!

Books? Let me see. My wife and I both read The Bible regularly, having both been brought up as church-going folk. Betty also bought me a book for Christmas, 1887, called Beeton’s Christmas Annual that contained a really good story by a man called Arthur Conan Doyle, about a fictional detective called Mr. Sherlock Holmes. It was called ‘A Study in Scarlet’ and made for a fine read, though of course, being fictional, it tended not to be as accurate as real-life policing. With my time being taken up mostly by my cases, reading is not something I can spend a lot of time indulging in, certainly not long books so I tend to read magazines and the latest newspapers when I have time.


Thank you so much for talking to me Inspector. It’s been a pleasure talking to you and learning more about your fascinating life and career. Can you tell me, finally, what your immediate plans for the future are?

Certainly, Carole. As soon as we’ve departed for home, Betty and I will take Billie and Lillie for a stroll in the park and then I shall leave Betty to prepare a tasty meat and potato pie while I take myself off to The Spotted Hound, where my sergeant and friend, Dylan Hillman will be waiting to hear all about my meeting with a famous lady writer. After that, who knows what life will throw at us tomorrow?

So true, Inspector!
~*~

You can indeed purchase Author Brian L. Porter's Behind Closed Door which is now on sale for $.99 cents!











Friday, July 4, 2014

My Story Is In Author Brian L. Porter's 'After Armageddon' Collection!


Yes it is and I'm excited! Brian L. Porter is an award winning author and screenwriter. He's also a co-producer at Thunderball Films.

When he asked me if I'd like to contribute a story to his collection  I waited exactly zero seconds and said, "YESSSSSSSS!"

Let me tell you about his collection first!

After Armageddon, depicts a future Earth scenario in the aftermath of a global nuclear holocaust, with a surprising twist in the tale.

The Voice of Anton Bouchard, a novelette length thriller, soon to be made into a motion picture by Thunderball Films, tells the chilling story of ‘The Butcher Beast’, a vicious serial killer stalking the streets of Paris one long, hot summer. Take a journey inside the mind of a serial killer as ‘Anton Bouchard’ leaps from the pages to turn the streets of Paris red with the blood of his victims.

The Devil You Know takes us to Mexico, where police captain Juan Morales recounts his involvement in the case of a number of missing choirboys. This story led to the follow-up novel:

Avenue of the Dead soon to be released in paperback and Kindle editions by Creativia.

In Red Sky in the Morning, a nuclear submarine surfaces from a long and arduous patrol to find the sky has turned red, all communication channels are dead, and it appears the crew are all alone on the vast expanse of the ocean. As they search for life in any form, the mystery only deepens.

R.I.G.S and Alien Abduction take the reader into the world of science fiction, while the world of the paranormal is featured in The Festival. These and many others are contained in this exciting collection.

"A superbly diverse cross-genre collection, highlighting an incredibly talented author." 
-Mario Domina, CEO, Thunderball Films LLC- 

Now, here's where I come in!   




I have a story in there, entitled, Raised which is about a necrophilic doctor living in early 19th Century England. He deals with two grave robbers who give him what he wants. Well, he enjoys studying the dead. 'Studying' in the case of the doctor has quite an expansive meaning (if you take my meaning).

It's pretty dark and will keep you up at night. So be warned!

"A young boy's fascination turns to obsession as years pass by, and memories of his mother, declared mad by those who knew her, begin to intrude more and more into his psyche. A doctor obsessed by death, gruesome keepsakes, grave robbing and supernatural ritual, all come together in Carole Gill's latest offering, 'Raised'. Don't miss this one!"

-Author Brian L. Porter
~*~






Sunday, June 15, 2014

Meet Mario Domina, CEO-Producer Founder of ThunderBall Films!



It is my pleasure to interview Mario Domina today. Mr. Domina is a
CEO-Producer-Founder of ThunderBall Films, LLC in America and partner and Co-Founder of Thundermania Productions, LLC with Nuala Barton in the United Kingdom.

He is a member of the Academy of Television Arts &Science (Production Executives and Diversity Group) and member of The AmericanFilm Institute, The British Film Institute (BFI Champion and also the FilmIndependent (Filmmaker Pro Membership).

My friend Brian L. Porter and fellow author at Creativia Publishing was kind enough to suggest this interview to me. Brian is a producer and screen writer with ThunderBall Films. Let me also say that his novels are being filmed by ThunderBall Films.

First of all, I have to say Julie Northup’s interview of you was pretty amazing. I feel I have learned so much!  Julie is a friend and fellow author at Creativia.

I must say I was so impressed with what you said, particularly your reference to teamwork. And what with your basketball background,I certainly see a connection!

You see what Creativia and Miika Hannila, it’s head are all about.
It’s about teamwork. I agree with you that teamwork can accomplish anything. I had the honor of introducing Brian to Miika and Brian on the other hand, because of his amazing talent and association with you and ThunderBall Films, has brought you and your tremendous vision to Creativia! That’s pretty fantastic in my opinion.
I want to also mention recently you have signed Creativia authors and colleagues of mine, Doug Lamoreux and Tony Lewis.

Now no interview is complete without some questions so here goes:

What motivated you to collaborate with Creativia’s Miika Hannila for the co-marketing agreement?

First off thank you for the kind words and opening. As you rightly point out Carole, this all happened because of Brian Porter, our Co-producer and Screenwriter supreme for ThunderBall Films, which for me started eight years ago when I optioned to develop, adapt and produce for film-TV, his brilliant trilogy of novels A Study in Red: The Secret Journal of Jack the Ripper, Legacy of the Ripper and Requiem for the Ripper. A very short time later, Brian and I both realized we had a strong synergy and vision that was equally matched in our personal and family life as well. When he told me about his other novels, we decided it would be better to work together beyond the trilogy of novels for A Study in Red.

What Brian didn’t know was I had a long-term plan for him to enter the world of film-TV because I saw in his writing, before even knowing his exemplary character, talent supreme and an innate quality to be who I would say in my career of 27 years as a film-TV producer, to date, is my greatest collaborator and perfect teammate.

What I learned early on is that Brian works the same, thinks the same and has a strong sense of doing things on time with such dedication and high level to achieve with self-sacrifice for the betterment of the team and project at hand as I do. So, when Brian recommended Creativia and Miika, as with anyone else he suggests, I take that seriously.

I know you have said that you prefer to take on projects that are foreign to America. What draws you to a project that is American-based?

Well, I have to say, it isn’t necessarily just the fact of a project location being outside of America simply because I do love to travel, which came at a very young age after my Grandfather, who I was very close to in life, passed away at 13 and prompted me to go to the library after basketball practice going through the National Geographic magazines to look through all the exotic beach locations and different stories on cultures, all the proponent that stimulated me to hand write 30 military boarding schools on my own to ask for a basketball scholarship without telling anyone, not friends, family, parents. So, at 14, my first venture to military school in Florida 1200 miles from my New Jersey home was the foundation of my sense of freedom, and as always because of the huge challenge I had to overcome.

However, to your question, it is always about the story, characters and are they high-profile, have spin-off value and resonates with me to where I ask, would I want to see this movie or watch on TV. And this can be specific to America or abroad, but typically, as with my projects, Marilyn Monroe Returns: The Healing of a Soul by Author, Dr. Adrian Finkelstein, doctor supreme of over 40 years, a Psychiatrist and past life regression theory expert from UCLA-Cedar Sinai. Also, in his book By Love Reclaimed about Jean Harlow and Paul Bern, he Co-Authored with Valerie Franich, a brilliant marketing wiz and strong personality. Both projects deal with reincarnation, mystery, love, intrigue, are high-profile and take place primarily in Hollywood. Then you take a great family project trilogy franchise like DragonMan, by Ted Lazaris, whose best-selling books reached the top of Amazon and is still on the top of the list, with the locale taking place in the Midwest, still it’s about great characters and story.

In your interview with Author J.M. Northup, you said you tend to look for two things when you are considering adapting a book into film: First, is the book a part of a franchise and second, is it a compelling story. Can you elaborate on this?

Well, Carole, as I indicated in the previous question, yes, I do look for franchise or spin-off projects as a first option. However, I found, from when I started in 2007 on developing and producing the Real Zodiac documentary, it laid a foundational premise of where to take ThunderBall Films as well as my personal selection of projects. It gave me the impetus to not discount documentary or one-off projects, but to find a way to turn them into a spin-off venture somehow.

Take for example, our new reality TV series in development, Jack the Ripper: Reality and Myth, which I created, Brian Porter Co-Created and wrote the Pilot Episode, and all created to skillfully interlace the entire series with the published novels of Brian and also, the books and supreme factual research of our Historical Research Director, Mike Covell, who is typically called by the BBC as a Jack the Ripper expert. So, although these selections of published novels are all being adapted for feature films, I found a way to expand them further into TV. For me, in everything I do, I have to look at the big picture and see a long-term plan, which is the reason, all my clients and partners have been with me so long.

Aside from how difficult and the years it takes to develop a project to get into production, raise financing, package with talent and then fight the powers to be in order to secure distribution, it comes down to the team having the same long-term view. I find that those without experience in the industry have to be educated in a different way because they think things will happen in months or a year – and that is totally unrealistic in 99.99% of the cases.

So, it’s an educational process Carole of bringing the team along with the philosophy and the reason why selecting collaborators, be it talent, crew, Authors-Screenwriters, that have the foundation of seeing the big picture not focused on just the money, but on getting their story out to the world in the best possible way to the widest audience possible…which cannot be done without a team.

Is there a particular genre you prefer? Do you look for a series that has a certain number of books?

Well, guess I’m drawn always to true crime or true stories, horror, thriller…all movies my Mother, whom I worship and adore, doesn’t like; she wants me to produce musicals. I tell her, Mom, don’t blame me I got it from her sister, my favorite Aunt Betty who we spent weekend nights as a young child before attending military school, watching the Late Late Show, which is the reason I used to spend many weekends overnight with her and my cousins.

Going back to the question, as I said earlier, it’s about the story, a great comedy, romantic story, I love movies and I have to ask myself always first, would I watch this and not just be entertained or envision taking the time it will take to properly develop it and will the Author or Screenwriter be a great collaborator?

So, a project like Marilyn Monroe Returns, which is a one-off project, based on a highly publicized book, and spec screenplay adaptation written by Bob Welkos and Jennifer Byrne, both LA Times Journalists, still I believed that there should have been a Documentary feature told, so we have developed it and packaging both the Documentary and Feature as a package. Same goes for a great project based on the number one best-selling book on Amazon, Escape from Paradise, by John and May Chu Harding about the famous Tiger Balm family, which was written to be adapted as a motion picture, however, could also be a compelling Documentary, so again, packaged as both feature and Documentary.

What in a story idea do you think makes a compelling story?

For me there are a number of elements, like great characters, potential commercial value, even in smaller independent films because they resonate on a common level anyone across the globe can relate and say, that is my life, or I know someone who went through that same situation. But, the key to me, be it book or screenplay is to feel the passion of the writer, what are they trying to say, does it have a personal meaning to them and are they conveying something different that the world can relate to and be moved by in some way, whether great horror being scared to death, a wonderful family drama that even make men cry, or a great love story like Ghost…all from the passion of a writer conveying a vision and collaborating with a team.

Would you sign a single novel if you saw the potential for expanding it into a series or multiple feature films even if there was no expectation of the novel being converted to a series? If so, what sort of content do you look for?

Because of my heavy development slate and how my company/I have evolved over the years Carole, the only projects I do sign for development-production are those who I believe without question have a spin-off value, be it features, documentary or franchise characters. So, the content are all in the areas of interest previously discussed and under these premises aforementioned.

Making a feature film takes a long time. Typically, how long does the entire process take to go from conception to completion?

Well not only features, TV or any venture takes so much time in this industry, Carole. I have this talk from my initial discussions with potential clients that if they have an unrealistic view of how long things can take, then I cannot really work with them. There are so many films throughout history, take the more recent Academy Award-Winning project, Dallas Buyer Club this past Oscar season. It took them 25 years to bring this to the screen. A feature or even TV projects, all go through a number of changes, talent, crew, financing sources, Co-production partners, etc., until the right mix of visionaries are able to push it through to completion. So, how long that takes to me is like asking what the interest rate will be in 2020? It’s all about working smart, hard, as a team with a unified vision and work ethic to protect the integrity of the project and team.

I know that it is very difficult to make the transition from author to screenwriter, yet our friend, Brian has managed to do this with great success. What do you feel gives him the ability to easily migrate between the two different disciplines so well? What did you do to mentor this ability and to nurture Brian's talent?

Well, Brian is a very unique talent and something I recognized in him from the beginning, even when he didn’t see it in himself. Very few Authors have the ability to adapt a book or novel into a screenplay. What most don’t see or know about Brian is his incredible work ethic and ability to learn quickly. When we started years ago on A Study in Red: The Secret Journal of Jack the Ripper, I had a director-writer signed on from Wales, and before I signed the director, I indicated I wanted Brian to Co-write the script for him to learn how to adapt from novel to screenplay. However, my vision was more broad in scope for Brian, and he thought it was for that particular project of the trilogy, what he didn’t expect is that I wanted to foster his talents I recognized earlier to be a prolific screenwriter as he was Author. I also, unbeknownst to him until this past year, was my transitioning him into the production side of things because of his great work ethic, ability and perfect collaboration as a teammate. As I applied that specific game plan to Brian, I do so with every aspect of my work. God bless my parents for giving me the foundation to be firm with working hard, gaining the knowledge necessary to be the best I can be in my career and always saying what is fact and not laced with fiction or pre-conceived notions of what might be inconsistent with being the best or protecting my integrity or that of those around me.

I have heard the co-marketing agreement between Thunderball Films and Creativia is unusual. Why do you think this is? Do you anticipate more partnerships like this because of your decision to do it?

Well, it is a very unusual agreement Carole, all facilitated by Brian Porter. Again, because of my unqualified trust in his ability professionally and high respect for him personally, this was able to happen. However, when I saw how Miika developed Creativia and was heading in a direction that fit the personality of teammates I typically work with, it was a potential I wanted to explore further.

Miika has a wonderful ability to market books and philosophy that was highly complimented Authors that I respect highly – and again, based on his ability to get Brian’s novels republished and the publicity helped elevate the novels on Amazon ratings into the top 100 on second editions in a very short promotion. That is rare to be a small publisher based in Finland and have the ability to accomplish that feat. So, I have a long-term vision that I believe will certainly benefit Creativia and its’ Authors who Brian/I select for adaptation to film-TV.

Not sure if I anticipate further partnerships of this type because although I am a staunch planner for the long-term, I also am very much reactive to something hitting me from left field that resonates with me on a different so I say, sure let’s go for it, I have the game plan.

What is your favorite film of all time and why? And did it impact on your life and if so how?

With my love of ALL movies, which everyone I know line for line, word for word, scene for scene since I have watched them hundreds of times and even before I was inducted into the film business learning how films are put together, I was able to see something new. However, despite the types of films I am attracted to producing, there are great comedies, like the Peter Seller’s Inspector Clouseau films, dramas, like The Bodyguard; and yes, musicals, where the music from the Emmy Rossum-Gerald Butler, Phantom of the Opera was so beautifully produced, directed, and don’t believe that any movie score could be better.

Going back to one of my favorite films, which again, has a very deep meaning to me is one from 1963 called King of Kings, with Jeffery Hunter as Jesus and Robert Ryan, who played John the Baptist, and coincidentally, could be a twin brother if I should you a picture of one of my Uncles. The reason this film has such a deep impact to me, is not only the film itself, the brilliant performances of Jeffery Hunter and Robert Ryan, the music or writing, but it was the last movie I saw with my Grandfather in the theater one week before he died. So, whenever the movie is on and I also have the VHS and DVD, I watch it in tribute to my Grandfather.

To do all that you do, you must be very disciplined. Were you always that way or has time instilled in you this important quality?

I was so blessed to have the parents I do who taught me a strong work ethic, to find my inner voice, not be afraid to speak out against what was wrong when everyone else was saying yes or being complacent with the status quo.

So, I would say that gave me the foundation. Both my parents worked minimum 12-14 hours a day, 6-7 days a week. When I was younger my Father had about 3 different car-related businesses, then went to work at a large pharmaceutical company with his brothers and all were heads of departments or executives. My Father drilled into my psyche to ALWAYS be early and ALWAYS do what you say you’re going to do it when you say you will. I remember one time I was home from college and playing in several pro-am basketball leagues, I went to work with him. I had a 6:30 AM shift till 2:30 PM each day. Well my Father started at 8 PM, or sometimes on the 4 PM afternoon shift depending on which one he supervised, yet he would wake me up at 4 AM, tell me to take a shower, then he would take me to breakfast at the diner and I would arrive at work by 5:45 AM for my 6:30 AM shift. It was a valuable lesson I learned and carry with me today. I am always early to a meeting, always prepared and ready to do work.

The next thing was due to my basketball career, which started at 14 in military boarding school in Florida and continued through my minor league pro career. Because of my Mother, Father and family foundation, their structure and influence, I was able to excel at things in military school beyond basketball. First off, the school was rated number 10 academically in the nation, so with mandatory 3 hours of study hall each night it was highly regimented. However, without the foundation of my parents, I could have never survived. So, Carole, I excelled and as far as I know to date, was the only cadet ever to be promoted three times in one night. Between my parents, military school and basketball, the foundation for how I live, work, love and give are all testaments to being a very lucky man, who has not had an easy life, but very challenging, yet so rewarding. I have failed many times, yet always learned to take what worked, and leave behind what didn’t work for me. Again, another lesson learned by all the aforementioned.

People have different opinions about remakes of classics. Can you tell me what you think about remakes of old favorites? Should there be attempts at this in your opinion?

In my opinion, I am not a fan of remakes of classics, take for example, Psycho, a masterpiece of skill with Hitchcock at the helm, to take word for word a duplication film from the master of suspense was not for me – and the box office or responses agreed. What I don’t have a problem with is someone that can take a classic remake, from a new angle, using elements of the story to make it fresh or current, such as everyone knows the ending of Titanic, yet, James Cameron added and focused on the love story, which worked beautifully. And there are many other examples. One film that I wanted to remake, although not considered a classic, was a movie the fabulous Doris Day starred with John Gavin and Rex Harrison called Midnight Lace. So, as I am all for creativity, I think touching classics scene for scene word for word is not something I subscribe for even considering new technology because it is not just the visuals, it’s the written word for today’s market and considering the fans that supported the film all those years, which is the reason I love what TCM does in their programming.

Who do you feel is/was Hollywood’s greatest director (of all time) and if you want to name a few, feel free!

Well, different genres have different masters, certainly my favorites are Hitchcock, Brian DePalma, Clint Eastwood, James Cameron, Sam Mendes, Martin Campbell, Martin Scorsese, Barbra Streisand and if you saw A Bronx Tale, who could argue with the talent of Robert DeNiro, not only as an actor, but clearly shown as a Director. Yet, many others like Robert Rodriguez, Quinton Tarantino, just to name a few, all brilliant in their own way. So, choosing one is impossible.

Oh God, Doris Day, Barbara Stanwyck, Joan Crawford, Robert Montgomery, Claude Rains, Boris Karloff, Shirley Temple, Deanna Durbin…many more I can’t think of right now.

And, please add anything in your own words that you feel is important to say. Julie’s interview was superb, I felt as if I had met you. I would love you to tell me some Marioisms! Really! No word limit, just go for it! 

Well first of all Carole, I have to thank you for your pointed and wonderful questions. Yes, Julie’s interview was superb and put forth a great foundation, then with your questions expanded further into areas that normally, I don’t openly discuss with personal issues, yet, between you both, felt your professionalism and comfort answering the questions posed, gave me the freedom to tell it to the public. Of course, as with Julie, Brian Porter’s great respect for you both also gave me the freedom to discuss personal issues and answer questions in that area. It was truly an honor to be interviewed by you Carole and thank you for your kindness. I can see why you are successful in all you do.

Thank you! Mario, this was an honor. I thank you so much. I can see how you came to be what you are, a creative—hard working visionary; a credit to yourself, your family, your work and your work colleagues.

And may I say to be able to discern in others what capabilities they have is remarkable. It is one of the many talents that make up the man who is Mario Domina.