Monday, February 23, 2015

Who Are The Mysterious Couple in The Blackstone Vampires?


Eco
A mysterious couple appear in both these books. Their living lives are depicted in book 2.

They also appear undead and aboard ship in Unholy Testament the Beginnings, bk 2 and Unholy Testament Full Circle, bk 3.

Eco, the demon- (best villain eFestival of words 2014) saw to it that they would be together for eternity.




They are always arguing, in fact they detest one another. They were infamous in life. She was Countess Erzebat Bathory (The Blood Countess) and he was
Gilles de Rais, aide to Joan of Arc and Marshall of France and a mass-murdering child killer and deviant.

Eco had raised them up. Then out of sheer devilment he had them exist together. He's a demon and has great powers.

The woman he claims to love must read his confession. He has so many sins to confess, it became two books. To encourage Rose to read all that he has written, he took her children away for 'safe keeping.' The only rub is Bathory and de Rais are watching them. It is a bit tense considering she bathed in the blood of young women and is thought to have killed hundreds.

de Rais had a predilection for little boys. Yes, you guessed it. He's watching Simon and Bathory is keeping an eye on Ada. Their mother finds that a bit stressful.

EXCERPT:

I began to struggle but only for a moment because I had the feeling that we were not alone. Eco laughed and as he did, he pushed me farther into my stateroom. I could not believe what I saw because standing there were Bathory and de Rais! The Blood Countess was holding Ada and that de Rais monster held Simon.

“Now you have something to think about. Best start reading, Rose. You’ll do a fine job. You can concentrate better now, without the distraction of the children.”

“No!” I shouted. I tried to free them but Eco pushed me down. 

“Your power is nothing next to mine!” he shouted.

The children’s cries were piteous, but within a moment it was all over. And I was alone, just me and the journal.

Each book in the award-winning Blackstone Vampires Series is sold singly for $2.99  





Monday, February 16, 2015

Excerpt with Eco and Countess Erzebet Bathory!


99CENTS!

GRAPHIC CONTENT:

Eco, winner best villain eFestival of Words 2014

From Eco's journal:
"As the girl had been drained and was of no further use, she had the corpse taken away and had another girl brought in, and another after that.
“This should get us through the night.” She smiled as she sank her teeth into the girl’s soft white flesh.
“Do you never drink the blood, Countess?” I asked.

She looked up with her blood stained teeth and smiled. “Never, or I should be a wanton vampiric creature and not the noble lady that I am.”
The irony of that remark did not cause her to smile, but made her look even wickeder if that was possible.
The hours passed and with them the barbarous torture of more young girls; girls that were bitten and stabbed. She had a variety of implements she used in her torture—like pincers that either she or a servant heated before their use.
Though I am ashamed to admit it, I must say the torture fascinated me. I could not move away, nor could I even turn my head.
Have you never looked at a train wreck or an overturned carriage? Most people have. There is, I fear, the beast in all of us.

She did offer me the dagger a couple of times; a handsome thing it was, too. I begged off, which caused her to laugh and call me a coward.
Me! Rose, can you imagine being called such a name?
While this was happening, the servants had to keep coming in to remove each corpse. It seemed an unending task. At last, she looked exhausted. “I will talk to you now,” she said.

She began to tell me the most amazing things about how she was true to her husband more often than not.
“There was a man…”
She spoke of Satan. She didn’t know him as Satan, just a handsome man who called to see her when she was lonely.
“There were a few actually, but I always felt they were really one man.”
She looked hard at me when she said that. “Is that possible, do you think? Could they have been the same person?”
I shrugged and said I didn’t think it was possible.

She stared at me for a long time as though she could read my thoughts. Then she took my hands in hers. “I can feel your evil, do you know that?”
If I had come to use her in any way, the roles were being reversed. It was she that had the upper hand. The thought made me tremble.
She smiled. “Are you well? Shall I call someone?”

She was taunting me, teasing me with her mocking lips and her wild black eyes. Whatever I was capable of, whatever evil there was in me, she was bringing out more! I knew then why I was here. It was all Satan’s doing! Bathory—this murderous woman—was to show me my own destiny.
I took her by force then, not as I had earlier but differently. I have never been rougher with anyone. I thought to see terror in her but she laughed, though she screamed too with pain from each thrust.
Her shrieks got so loud that a stout old servant came in. The old nurse, Darvulia, half blind and crippled, came to make certain I was not killing her mistress.

Bathory called out to her. “Be calm, Darvi! I have had pleasure with him! No one else has given me what he has.”
Darvulia nodded for she was relieved.

“You may go now, but bring us some sustenance!”
If I thought she meant food, I was wrong. Soon, several girls were dragged into the bedchamber.
Bathory got up, and exposed each girl for me to examine. “Well?”
My body began to quake with what I can only describe as murderous excitement for I wished not only to ravish them, I wished to drain them and then feast upon them.
The girls whimpered and pleaded, but she was unmoved. Each plea was answered with a hard slap or a punch. She bit them but she did other things too and with each horrid act, she coaxed me into participating.
In truth, I did indulge myself as I too began to torture the girls, to burn them and slap them. When I was not doing it, I was watching her do it. We were not alone, however. Most of the time we did this in the presence of a bevy of servants and guards.
It was quite violent and depraved and outdid anything I had ever seen. No excesses in Ancient Rome could match this horror. If I thought de Rais’ crimes incredible, Satan was teaching me by example that I, too, would relish such carnage.
I realized I would never waver. That was the purpose of this interlude, this instruction in the ways of evil would ensure that I did not. If she bathed in blood, I did too. Yes, I did.

“Come,” she coaxed. “See how it is, it is most amazing. It will soothe you, my love.”

And so I did. I cared not if Satan saw. Let him watch, I thought.
Girls were dragged screaming to her tub—two, and three at a time—by the guards. One of the countess’s most evil helpers was the dwarf, Ficzko. Ficzko was always on hand to cut the girl’s throats. Once that was done, they were bled over the tub.

When I stepped into that Hellish liquid the first time, I heard Satan’s voice. I knew he wasn’t there, at least not physically.
“I am pleased with you, Eco.”
I was overcome—not only with his approval, because despite what I occasionally thought, I did so want it.
Suddenly, I threw my head back and shrieked, not in terror but in surprise for it seemed that the blood did in fact have its own energy; she was right. There was something unearthly about what it did to me. I called out in amazement and the countess laughed.

Countless pitchers of blood were poured over us as we sat, luxuriating in it, feeling the power and magic of it all.
Occasionally, we’d rise from the bath and make love for hours in her blood-soaked bed, being too hungry for each other to be dried off first!
If Hell has no time, there was none in her castle for time was meaningless. All one could find were blood, fornication, torture and murder.
My head swam from it; I cannot remember thinking of anything other than the spectacular madness that surrounded me.
Days turned into weeks and weeks into months, but then things began to change. For one thing, Darvulia was dying; Darvulia who had been all things to the countess—her nurse and her lover too, as well as her teacher in torture and murder.
You see, it was she who had taught her new ways of torture—such as needles under the nails and if the girls pulled them out, their lips were torn off by red hot pincers. Yes, Darvulia had been of much use to the countess. She had always thought of newer methods of torture like having the girls covered in honey and then stung to death by bees. A variation on that was that in winter girls were taken outside where water was poured onto them until they froze to death.
Darvulia was especially clever in her machinations for she always urged the countess to get her victims from the peasantry. However, all this was to change with her death, which would signal the beginning of the end for Bathory.
Darvulia finally died. How the countess mourned her old servant. She railed and shouted for her beloved Darvulia. I did not touch her other than to try and comfort her—but she would not be comforted. She just stayed in her own bedchamber and wept. I was even barred from entering.
Then, someone came to replace Darvulia. This woman was a widow, a farmer’s wife. Erzsi Majorova had arrived.
The gossip was—and yes, there was plenty of gossip—that Bathory had actually sent for her for she needed someone to help with the torture. The other servants could help, but they were of limited intelligence. Bathory wanted someone cleverer than that and Erzsi was very willing and keen.
The killings and torture began again, but with a difference that would prove fatal, for Erzsi encouraged the taking of girls from the nobility. I tried to warn Bathory but she would not listen.
She had changed; Darvulia’s death had done it. I think she had a kind of breakdown. Well, she was never entirely sane, but now she was worse.
I still bedded her but it was different; she was different. Whereas I was enough for her before, now if I bedded her she needed to have girls screaming in agony nearby. Yes, Rose, I am well aware of what that makes me look like.
Her torturing and killing reached a fever pitch for she was insatiable, worse than ever. Even I was beginning to sour on her and her excesses.
Now a very interesting thing happened. Since the new victims were of noble birth, she insisted on giving them a Christian burial and engaged a pastor to perform the services. But, as more dead bodies came to him, he began refusing to perform the rites, so she started to have the bodies buried secretly.
Once again, I tried to warn her.
“You must stop. You will draw attention to yourself!”
Yes, Rose, I was still seeking to protect her!

She would not listen. Had I known what would happen, I’d have created her for I still did care for her despite her monstrousness.
Then something happened very unexpectedly. She was stopped. The government in the guise of the Palatine came and told her various complaints had been received. Now, as with Gilles de Rais, since the nobility was beginning to be victimized, the officials were ready to take notice. Murdering girls from the upper classes was an outrage, never mind that hundreds of peasant girls had been slaughtered over the years.
The countess took no heed of my warnings. She had her servants toss out four murdered girls from the castle ramparts in full view of the villagers!

“I don’t care! They won’t dare to stop me. I can do as I wish!”
She felt she was above the law. Well, if you think about it, she had been for the longest time.

When I saw what she had done, I exploded in anger—truly, I did. She ordered me from the castle.

“Get out, get out, you gutless devil!”
I did in a fury.

Her castle was eventually raided and what they found there was shocking as you can imagine. Her reign of terror was finally over.
It was decided that she be held in her castle. She was not to appear before the court. This she had begged for and it was to be so. There were two trials though for the others who were not above the law.
The court took testimonies of her four accomplices and their sentences were pronounced. They testified that the body count only numbered between thirty and sixty, but a fifth witness placed the number at over six hundred.
This witness had come forward to reveal a register that was written in the Countess's own handwriting. This was the proof that the number of girls killed was over six hundred.

The servants were judged guilty. Two of the women had their fingers pulled out; they then were burned alive. Ficzko received more mercy because of his youth and was decapitated. His body was then drained of blood and burned alongside his two accomplices. The widow, Erzsi, was also found guilty and executed.
As for Bathory, she was to be imprisoned in her castle. Stonemasons came to wall up the windows in her bed chamber. Once she was inside, they walled up the door, leaving only a small hole for food to be passed through.
I was still under her spell and could not stop thinking about her. I felt guilty, too. I was filled with recriminations for I hadn’t created her.
But I hatched a plan..."
(End of excerpt)
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Sunday, February 15, 2015

READ FIRST FOUR CHAPTERS OF CIRCUS OF HORRORS!


CHAPTER 1

The vehicle was a beat up well-travelled 1929 Ford school bus. It had been painted a bright red and said ‘Fred Dodger’s Circus’ on the side. Amid peeling paint, the image of ecstatic clowns was a bit pathetic looking. Curtains hung on each of the windows. Baby Alice had sewn them; now she sat outside with her pals waiting for the meat to be cooked.

An old man, somewhat senile in appearance and actions, sat licking his lips. His son, the owner/manager, had gone to town on business in his pickup.

The bus had withstood a lot of wear and tear. Well, it would have—what with three clowns, two midgets, and one fat lady riding it.

Al drove the bus. With him being three feet tall, there were adaptions to the driver’s seat. This, the manager had seen to and Al was pleased. His lady friend, the huge Baby Alice, sat near him. Her seat had also been adapted in order to accommodate her girth.

None of the troupe disliked riding in the bus or camping out in tents. The weather occasionally made it difficult for them, though. Once, near Tupelo, Mississippi, the bus had to be dragged out by the pickup. The manager had extensive experience in such matters and everyone was grateful he did.

Fred Dodger loved his people and looked after them very well, and they knew it. He had explained about leaving them to go to town in order to get some money. They said fine and decided to have a cook out.

Any car or truck driving past would have been amused at the scene. Clearly, they were circus people—carnies—with the clowns in full make-up, Alice who weighed just under two hundred and fifty pounds, and Hank and Al, both three feet tall.

Hank got to arguing with Al about the progress of the meat being cooked. When it was at last ready, Al served it up. The old man got his first out of respect. He dug right in. Baby Alice did the same, as did the clowns. Al and Hank had a salami they swiped from a deli. They weren’t going to eat what everyone else was eating. They weren’t cannibals.

They spoke while they chewed their salami. “I have to hand it to you,” Al said. “It makes for a perfect solution—cooking them guys the way you did.”

Hank agreed. “Three sailors, think of it!”

“They deserved it. Didn’t deserve no better!”

“True, but there were three of them. We’re just lucky we didn’t have far to take them.”

“Yeah, imagine them snooping close to us. I wonder what Fred would have done.”

“He wouldn’t have liked their taunts.”

The sailors had insulted everyone. Baby Alice was reduced to tears and the old man had been pushed when he objected to their language. Then they started in on the boys. Yes, boys—despite being 38 and 40, Al and Hank thought of themselves as that: kids, in trouble. The popular Katzenjammer Kids comic duo had nothing on them.

The boys didn’t take shit from anyone. What were three more big mouthed louts to them? Al whipped out his razor. The dispute was settled in five bloody minutes. Where the sailors had been nasty fools taunting those they saw as misfits, they soon became blood-drenched corpses, their throats cut so deep, their heads dangled.

“Good thing the boss ain’t here.”

Al agreed. He knew they owed a lot to the clowns.

The clowns took care of everything—they cut them up into manageable parts, then basted them with some Heinz sauce, their favorite.

It took all day for the meat to be ready. When they could finally taste it, the clowns were proud and Baby Alice said it was the best she’d had in a long time. Hank made lemonade. It was luxurious, sitting out in the early dusk of a cool June evening.

Most of the meat had been eaten when Fred came back. “Smells good. Any left for me?”


The boys looked at one another. Fred nodded toward his father who was still chomping away on what looked like a couple of fingers. When he walked toward the man, the boys started to worry big time. Snatching a thumb out of his hand, Fred shouted, “Christ Almighty! I warned you guys!”

He had and more than once. Al started to explain about the sailors, but Fred was having none of it. “I don’t like my father eating human flesh! That’s my main gripe. Okay?

The boys nodded. “It won’t happen again.” They looked sincere. Fred doubted that they were. “Just don’t let me see you do it again.”
Total hypocrisy, but Fred did feel sorry for them.

Old Pa had begun to doze. “Come along; time to turn in, old ’un.”

The old man found it hard to stand. His joints cracked and he shook his head. “These old bones,” he said as the half eaten thumb fell to the ground. Alice glanced at it and giggled.

Fred led his dad toward the pickup. No tent for Old Pa. Not at his age. Fred had a nice, cozy, little box-like enclosure he constructed himself for them both to sleep in, in the pickup.

“I got it all accomplished in town, Dad. Got them checks cashed. We should be fine for a while.”

The old man nodded. “I’m tired out…”

“I know. That’s why you’re going to be sleeping in a sec!”

His people watched them go. They liked being with Fred and his father. It was like having a family. Better really, considering how they were raised.

Al and Hank grew up in orphan asylums—graduating eventually to mental hospitals. Baby Alice lived with her father who beat her. She ran away to live with a succession of men who did the same. Her best day came when she started to work freak shows as the fat lady. People were nuts, fucked up in one way or another. She made extra money on the side for those patrons that wanted a flash—a buck to flash her naked, oversized jugs and a buck fifty for a feel. If they wanted more, and some of them did, the price went as high as five dollars. That hadn’t happened since Fred hired her.

Besides, she had a boyfriend now. She and Al were a couple. How the two managed it, Fred had no idea, but from the look on Al’s face, he was sure something had been figured out. Over time, a relationship had grown between the two of them. Which was nice, Fred thought. It would keep them both on the straight and narrow.

After tucking the old man in, Fred emerged and gave the clowns an angry stare. “I don’t like the cannibalism. I don’t like it at all.”

The clowns started to argue with him. Happy was the most vociferous. Before the old man went senile, he used to ask him why he let the clowns join up. Fred would reply he felt sorry for them. How do you not feel sorry for three men who hide behind garish clown makeup because they know it’s less frightening for people than their own faces?

Each had been cut up and scarred when they were little. They came from an orphanage where they were burned with cigarettes and cut up with razor blades, leaving their faces in horrific condition. They got the idea of the clown makeup from an old carny they had befriended. He taught them how to be clowns and showed them how to cover their scars up. When he applied the cooling pancake, they giggled. Jocko had been their friend until he died. It was through him they discovered the carny life.

“I think we pissed him off,” Noble said, meaning Fred.

“Can’t please everybody.” Danny shrugged.
“What am I going to do with you guys?”
“Love us?” Happy offered.


REVIEWS:

"I'm never going to the circus again!"
5 stars!

"Wonderful Horror with a side order of ribs."
5 stars!

"A true horror tale...Be prepared to be scared!"

5 stars! 







Friday, February 13, 2015

WOMEN IN HORROR MONTH. Anne Rice


“The vampires represent those of us in society who feel damned and I am always seeking a way for them and those of us who identify with them to be saved.”

– “Interview With a Vampire” novelist Anne Rice, in an interview with America magazine.


In the beginning there was nothing but myths and legends. But then John Polidari's The Vamprye (1819) came upon the publishing scene and all were impressed. But soon readers said: "more, please?!" So Sheridan LeFanu's Carmella came about in 1871 yet, still vampire aficionados wished for more!

Bram Stoker, hearing them and envisioning an icon for vampire fans forever, penned Dracula in 1897. And yea, Dracula flourished and rightly so. And there were films—and all the world would know his name.

But then it got kind of predictable what with Gothic castles over and over, fun, sure—but something new was needed! So there came along the King, called Stephen who answered prayers with Salem’s Lot. This knocked the stuffing out of the Gothic vampire and readers were thrilled because it was bloody good! 

Think of it, vampires among us, next door—imagine! And the people were happy and gave thanks. 

And then, one year later! She who will be called great in my book, published Interview with a Vampire! 

Okay, seriously? These three vampiric creations are iconic. Dracula, Salem's Lot and Interview with a Vampire. In my opinion these 3 are it!

Anne Rice brought back Gothic vampires in her own style with her own genius. She infused in them depth by giving us personal histories which gave us rich characterisations. She made them real beings. Okay, they subsisted on blood, but they had feelings and memories. Living lives as well as undead ones. She gave us vampire literature that is unique. 

Following the death of her young daughter, she wrote Interview with a Vampire and she wrote it in six weeks. It must have poured out of her. I can imagine her doing it, giving us a piece of her soul. 

One of the characters in the novel is a child vampire. The child, Claudia haunts all of us. What is more haunting than a child vampire? I happen to think, there is a connection with her own loss here. 

Interview with the Vampire became as it would turn out, one novel in The Vampire Chronicles.

By the way The Vampire Chronicles  has been compared to Mary Shelley's Frankenstein and rightly so in my opinion.

I think everyone's favorite vampire is Lestat maybe because he's mine. 
Her newest book is Prince Lestat published in 2014. 

She hasn't only written of vampires. She's done a fantastic spin on fairy tales. Witches, werewolves demons, mummies as well as historical and religious characters. She is the writer's writer. She ventures forth into new territory all the time. That takes guts and skill. Anne Rice, thank you!

Her books:
1960s
"October 4, 1948" (1965) Short Fiction
"Nicholas and Jean" (1966) Short Fiction

1970s
Interview with The Vampire (1976)
"Armand's Lesson" (January 1979 Playboy magazine) Short Fiction
The Feast of All Saints (1979)

1980s
Cry to Heaven (1982)
The Claiming of Sleeping Beauty (1983) as A. N. Roquelaure
Beauty's Punishment (1984) as A. N. Roquelaure
"The Master of Rampling Gate" (1984) Redbook magazine) Short Fiction
Beauty's Release (1985)as A. N. Roquelaure
The Vampire Lestat (1985)
Exit to Eden (1985) as Anne Rampling
Belinda (1986) as Anne Rampling
The Queen of the Damned (1988)
The Mummy (1989)

1990s
The Witching Hour (1990)
The Tale of the Body Thief (1992)
Lasher (1993)
Taltos (1994)
Memnoch the Devil (1995)
Servant of the Bones (1996)
Violin (1997)
The Vampire Armand (1998)
Pandora (1998)
Vittorio the Vampire (1999)

2000's
Merrick (2000)
Blood and Gold (2001)
Blackwood Farm (2002)
Blood Canticle (2003)
Christ the Lord: Out of Egypt (2005)
Christ the Lord: The Road to Cana (2008)
Called out of Darkness: A Spiritual Confession (2008) Autobiography (non-fiction)
Angel Time (2009)

2010s
Of Love and Evil (2010)
The Wolf Gift (2012)
The Wolves of MidWinter 2013
Prince Lestat 2014

MOVIES
(Vampire)
The Interview with the Vampire (1994)
Queen of the Damned (2002)
(Misc.)
Exit to Eden (1994)

TELEVISION
The Feast of All Saints (2001)


Anne Rice is the writer I most admire. Anne Rice is iconic and from a personal opinion, she is my icon.

Some memorable quotes by the lady herself:

Evil is a point of view.
ANNE RICE, Interview with the Vampire

Maybe that's what Hell is. You go mad. And all your demons come and get you just as fast as you can think them up.
ANNE RICE, Memnoch the Devil

The worst takes its time to come, and then to pass.
ANNE RICE, Pandora

Sometimes fear is a warning. It's like someone putting a hand on your shoulder and saying Go No Farther.
ANNE RICE, Memnoch the Devil

Roman influence seeds itself, sprouting mighty oaks right through the modern forest of computers, digital disks, microviruses and space satellites.
ANNE RICE, Pandora

No matter how long we exist, we have our memories. Points in time which time itself cannot erase. Suffering may distort my backward glances, but even to suffering, some memories will yield nothing of ther beauty or their splendor. Rather they remain as hard as gems.
ANNE RICE, Blood and Gold

Evil is always possible. And goodness is eternally difficult.
ANNE RICE, Interview with the Vampire

Suffering of sentient beings is like decay; it fertilizes the growth of their souls.
ANNE RICE, Memnoch the Devil

You do have a story inside you; it lies articulate and waiting to be written -- behind your silence and your suffering.
ANNE RICE, Pandora

Vampires pretending to be humans pretending to be vampires ... How avant-garde!
ANNE RICE, Interview with the Vampire

Despair was so familiar to me; it could be banished by the sight of a beautiful mannikin in the window. It could be dispelled by the spectacle of lights surrounding a tower. It could be lifted by the great ghostly shape of St. Patrick's coming into view. And then despair would come again.
ANNE RICE, Memnoch the Devil

O, wicked love ... that has so many unnamed components.
ANNE RICE, Beauty's Punishment

A writer can’t know everything about what she writes. It’s impossible. You reach deep down and you bring up what feels absolutely authentic to you as you move along with the book but you don’t know everything about it. You can’t.
ANNE RICE, interview, Oct. 2, 2003

There was no point in waiting until the next world. You had to do everything now, every kind of sin.
ANNE RICE, Memnoch the Devil

Once I returned to the Church and began to see the universe as a place that really did incorporate redemption and really tried to understand the implications of there being a God, my identification with the vampires as outcasts, as outsiders and lost souls began to totally wane. It no longer worked for me. I had done it. It had led me to this point.
ANNE RICE, BookPage interview, Nov. 2005

This suffering, this unspeakable capacity to bleed and to know pain and to know annihilation, is what has to be overcome in this world if anyone is to reach God.
ANNE RICE, Memnoch the Devil

When love is reached through suffering ... it has a power it can never gain through innocence.
ANNE RICE, Memnoch the Devil

Do you know what I think about crying? I think some people have to learn to do it. But once you learn, once you know how to really cry, there's nothing quite like it. I feel sorry for those who don't know the trick. It's like whistling or singing.
ANNE RICE, Memnoch the Devil

Who knows what the hell a government is or what the hell a government does.
ANNE RICE, Memnoch the Devil

Vampires always order hot drinks. They aren't going to drink them; but they can feel the warmth and smell them if they're hot, and that is so good.
ANNE RICE, Memnoch the Devil

I promised that from now on I would write only for the Lord.
ANNE RICE, Newsweek, Oct. 31, 2005

I love the one who punishes me well.
ANNE RICE, Beauty's Release

I think any supernatural hero today, whether he’s a vampire, werewolf, a resuscitated mummy, whatever he is, is going to have to deal with the fact that scientists are going to want to catch him and study him. His big enemy is not going to be Dr. Van Helsing today, it’s going to be the doctor who wants to put him in a lab and get his blood for what it can do to cure disease or grant immortality.
ANNE RICE, interview, Lightspeed Magazine, Jun. 2012

The vampire is an outsider. He’s the perfect metaphor for those things. He’s someone who looks human and sounds human, but is not human, so he’s always on the margins.
ANNE RICE, interview, The Daily Beast, Nov. 23, 2011

To really ask is to open the door to the whirlwind. The answer may annihilate the question and the questioner.
ANNE RICE, The Vampire Lestat

Oh, the lies that I have told myself and others. I knew it yet I didn't know.
ANNE RICE, Blood and Gold

For those who care, and I understand if you don't: Today I quit being a Christian. I'm out. I remain committed to Christ as always but not to being "Christian" or to being part of Christianity. It's simply impossible for me to "belong" to this quarrelsome, hostile, disputatious, and deservedly infamous group. For ten years, I've tried. I've failed. I'm an outsider. My conscience will allow nothing else.... In the name of Christ, I refuse to be anti-gay. I refuse to be anti-feminist. I refuse to be anti-artificial birth control. I refuse to be anti-Democrat. I refuse to be anti-secular humanism. I refuse to be anti-science. I refuse to be anti-life. In the name of Christ, I quit Christianity and being Christian. Amen.
ANNE RICE, Facebook post, Jul. 28, 2010, reprinted in The Huffington Post, Jul. 29, 2010

People who cease to believe in God or goodness altogether still believe in the devil. I don't know why. No, I do indeed know why. Evil is always possible. And goodness is eternally difficult.
ANNE RICE, Interview with the Vampire

Beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.
ANNE RICE, The Vampire Lestat

There is one purpose to life and one only: to bear witness to and understand as much as possible of the complexity of the world- its beauty, its mysteries, its riddles.
ANNE RICE, Servant of the Bones

And books, they offer one hope - that a whole universe might open up from between the covers, and falling into that universe, one is saved.
ANNE RICE, Blackwood Farm

quotes from: ANNE RICE QUOTES:
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Monday, February 9, 2015

99 cents! AWARD WINNING, THE HOUSE ON BLACKSTONE MOOR!


"Do you believe evil can be invited in?"
Rose Baines, The House on Blackstone Moor

Unimaginable horror awaits you in The House on Blackstone Moor... Rose Baines' journey into the dark begins with the murders of her family by her insane, incestuous father. Evil has found a way in, as has the world of the undead. Will she become one of them?

The horrific discovery causes her to be incarcerated in two madhouses. Doctor Bannion, superintendent of Marsh Asylum, helps his favorite patient obtain a position as governess at Blackstone House, but why is he so adamant? The house, her charges tell her, is built on haunted moorland. Nothing is as it seems for Blackstone House, and its inhabitants have hideous secrets; the greatest secret of all is that of the blood.



Amid the unimaginable horror there is love - which comes at a terrible price. The House on Blackstone Moor is the first novel in Carole Gill's Blackstone Vampires Series. It is an epic tale of the eternal struggle of good vs. evil, and a story of love that strives to prevail, despite all odds.

eFestival of Words 2014: Best Villain, Eco/ Best Horror, The House on Blackstone Moor

Top 10 Books - 2013
Aoife Marie Sheridan - ALL THINGS FANTASY
Publisher, Ultimate Fantasy Books

"92 Horror authors you need to read right now"
Carole Gill -- the Blackstone Vampires series
~Charlotte Books - EXAMINER

I for one found this gloriously gothic, refreshingly brutal, honestly horrific and a great read.
~Taliesin Meets the Vampires


Excerpt:

"The air was still and somewhat warm. Low clouds hugged the horizon. There was thunder too from somewhere far away. I would have preferred to see the moors in the sunshine, for the moody atmosphere made it look grimly forbidding. Yet I didn’t wish to spoil the children’s fun.

“When you walk to town, go along through there—you see at the bottom of that cliff, there’s an old footpath there—too, you can’t miss it.”

I made a mental note of it, although I didn’t know when I might go.

The children both held onto me. “Mind your step.”

I listened, as they had already frightened me as to the moor’s dangerous conditions.

“And the weather changes so quickly, too.” Simon’s voice was grave. “Sometimes an entire herd of sheep have been known to perish!”

Ada shook her head. “Not so many as that, Simon; don’t be such a liar!”
Simon looked angry. “It’s true, I know it is so.”

“Well,” I said. “Whether it is or isn’t, I’m certain I shall be very careful where I tread.”

Each of them, it seemed to me, was vying with the other for my attention. Ada pointed out rocks and brush and Simon spoke of yet more doom and gloom.

Suddenly, they began to pull me forward. “This is the most fantastic thing you will ever see! Oh do hurry, Miss Baines!” Ada was most impatient.

Simon tapped her. “She will see it in her own good time.”

“What is it, children? What do you wish me to see?”

They exchanged mysterious looks to further dramatize the situation.

“Yonder, Miss! Do you want to see the ancient stone of legend?”

“What legend is that, Simon?”

Ada spoke up. “The legend of Blackstone Moor!”

They began to drag me then toward a rocky mount. “Just in here.”

I was led through a narrow crevice. It quite reminded me of Stonehenge. I wondered what it could be and began to grow excited, too.

Suddenly we stopped as Simon pointed at a large flat rock. “There, that’s it!”

It looked like a ledge that had been deliberately laid down. I went to touch it but Ada warned me. “Touch it only if you dare!”

“I dare!” I cried. The surface was far smoother than I would have imagined.

“See how black it is, Miss?”

“Quite black,” I agreed.

Simon nodded. “It’s as black as the eternal night! And do you know why it’s black, Miss Baines? It’s black with blood!”
“Simon!”

“Yes, truly! It has blackened with blood and gore and innards and guts and things that soaked into the stone!”

“What a thing to say! Where did you hear such things?”
“I just know! Ada and I both know!”

I drew him aside. “Simon,” I chided. “You should know better. This is not something either of you should think about, but it’s worse for Ada since she’s younger than you. You ought to know that.”

He looked down. “I suppose, but Ada’s older than you think!”

“Is she indeed, well I don’t think it appropriate, alright?”
“Yes, Miss Baines.”

“I don’t think it’s a subject for children. Besides, it’s probably not true anyway.”

He was agreeing with me, yet there appeared across his face the most quizzical look. “But there were human sacrifices practiced on these moors once and all manner of dark rites, too. Many people died here.”

This was making me feel sick.
“Who told you this?”
“No one.”
“Don’t lie, Simon.”

“Someone I can’t say…” Ada was watching him wide-eyed. Clearly she didn’t want him to give me a name, but I continued to press him.

At last he cracked. “Dora! It was Dora! Do you feel better now?!”

“It’s not that I feel better, I just wanted to know who told you such things.”

Ada looked at me intently. “Please, you won’t have Dora punished, will you?”

“No, of course not, but whatever do you mean?”

Ada shook her head. “She might be severely punished, that’s all.”

She quite unsettled me with that. But then I took it to mean she might be sacked. “Well, I shall only speak to her then, alright?”

“Oh yes, Miss. Thank you, Miss.”

I took their hands then and we headed back to the house, the children walking just ahead of me, whispering. And I watching their backs, wondering what they were saying."

BUY FOR 99 CENTS NOW!

Friday, February 6, 2015

WOMEN IN HORROR MONTH. Mary Shelley

Mary Wollstonecraft Shelley née Godwin;

What can I say about the woman who wrote Frankenstein? That novel is so ahead of its time, but then again, the debate about reanimating dead tissue was going on in her lifetime. She paid attention and, with her creative genius, gave the world a remarkable novel. 

We all know of that remarkable weekend in Lord Byron's Villa Diodati, but do we know that she actually finished Frankenstein in her lodgings at 5 Abbey Church Yard, Bath?

Frankenstein or the Dream of Prometheus was published when she was just 21, while married to Percy Shelley.

She wrote other books after it, but the one I'm going to mention seems as remarkable as Frankenstein. Mary Shelley’s The Last Man (1826) is well-ahead of its time also. I venture to say it's a post-apocalyptic fiction. I don't think that term would have existed in her day.

Its theme is death. Death was a pretty big player in the early part of the 19th century and death was something she knew all too well. She suffered through her share (more than) of tragedies. And it seems to me she turned her personal grief into the End of the World. In The Last Man, The deaths of her husband, her children, and her friends are transformed into the complete extinction of the human species.

In 1816, her step-sister, Clare desperately in love with Byron who took their child, committed suicide. And there was more. Mary and Percy lost their two young children. Then in 1822, Percy was drowned in a shipwreck. Lord Byron, with whom Mary had a troubled but close friendship, died in 1824, when Mary was already working on her novel.

Most of The Last Man is taken up with Mary’s recreation of her close friends and family. Set in England in the late 21st century, it features a set of main characters who form close bonds of friendship. 

Actually, it can be seen today as somewhat prophetic what with all the diseases and food epidemics that have occurred. Take Ebola as one. 

I think all great writers are instinctual beings, greatly sensitive and unusually thoughtful. I believe they have to be. Creating fiction that withstands time is not an easy thing. 


Next week:
Anne Rice


Wednesday, February 4, 2015

REVIEW: The Horror of a Fatal Attraction!


Fatal Attraction was released during the height of the Aids hysteria and hysteria it was. I saw the film at that time first and I remember thinking Alex Forrest (Glenn Close) looked like a human representation of the virus. There she was, showing up in all the wrong places at all the wrong times. She was dangerous, possibly homicidal, too. She looked like she could easily kill Dan (Michael Douglas) or any of his family.

She wouldn’t take no for an answer. The casual sex was no longer casual. It was serious. Dan might not come out of it alive. Alex was hazardous to his health. We all got that.

Now, watching it as I did the night before, I saw it differently. It was just as gripping and powerful, but the hysteria was gone or at least subdued. Now, she was a woman a married man slept with who didn’t want the relationship to end. She's still scary but in a different way.

She becomes a stalker. Clearly she isn’t dealing with a full deck. I mean why let two opera tickets go to waste? She bought them hoping, let’s face it, she could manipulate Dan into going with her. But she couldn’t. For goodness sakes, Alex, you could have taken a friend or sold the damned things—instead of sitting in your darkened loft apartment turning the lights on and off! That’s dumb!

The film is superb. The acting and directing and the soundtrack, too. Remember the drums when Dan realizes Alex has cut her wrists? Sure, not deep--she just wanted to scare him I always thought.

The wife's (Anne Archer) terror when she can’t find her daughter at school was palpable. We all felt it. The tension was excruciating.

There are some great moments that question Dan’s morality. When Alex asks him why is he there, with her, I always feel like applauding. He's been telling her he never meant for the affair to go on. So the question is like a sucker punch just for Dan.

HEY DAN, WHY ARE YOU THERE? She didn’t force you. You went willingly! Okay, now you can’t get rid of her. But there are reasons. She’s got a borderline personality disorder or two. But definitely.

She lies, manipulates and, let’s face it, lets herself get pregnant. But then again, Danboy didn’t ensure that he wouldn’t get a STD nor did he ensure that Alex would not get pregnant.

Dan bears responsibility. Yes, Alex is nuts but Dan isn’t a choirboy. He cheated on his wife and then when he tried to dump this crazy woman, he found he couldn’t.

The climax is shattering, it was almost too much to watch.

This film is a classic and even when our perceptions change, a classic remains a classic.

Director: Adrian Lyne
Writers: James Dearden (screenplay),
Stars: Michael Douglas, Glenn Close, Anne Archer

If you haven't seen it, by all means, see it!